Independent Directors

I adapt to your vision and advise you on artistic choices. I enhance the DP's images without distorting them.

Production Companies

Content Creators

You're looking for a reliable collaborator to manage post-production for your clients. I communicate clearly and meet deadlines.

You need an expert outside eye to finalise your project. You have a style to apply or develop.

Colour Grading

Broadcast colourimetry to elevate your images

You've shot and edited your footage: now you're looking for a colourist who understands your vision and respects your deadlines. I handle the colour grading of your documentaries, adverts, fiction projects, and corporate content, remotely from my studio in Limoges.

Who is this for ?

The method

I assist the editor upstream to prepare the timeline for grading and send it over. On my end, I reconnect the media, verify the editing reference, and carry out a quality check.

Exposure, contrast, and white balance for shot-matching, then curves, vignettes, creative LUTs, or film emulation based on your references. I work in successive passes.

You comment directly in the player, and I respond precisely to every note. I'm not just an executor, if I have an idea to improve a scene, I'll put it to you.

I deliver a video file ready to drop back into the editor's timeline for the final export.

  • Narrative consistency : colour tells the story just as much as the images.

  • Respecting the DOP's work : I enhance what was captured; I don't misrepresent it.

  • Controlled naturalism : even on creative looks, skin tones and skies remain credible.

What I prioritise
What I avoid

Trendy looks imposed for their own sake that don't serve the story. If Instagram loves teal & orange but it doesn't suit your film, we won't use it.

Looks that go against what was shot. Pushing too far risks breaking the image. Colour grading ≠ visual effects.

I always start from your vision. You share your visual references — films, photographs, moods — and I build a look that serves your story. I can push very different styles: punchy and high-contrast for an advert, soft and warm for an intimate documentary, cold and clinical for a dystopian fiction.

My style adapts to your narrative, not the other way around.

My approach

My portfolio

  • Grading studio: Darkened room with controlled lighting (6500K white light)

  • DaVinci Resolve: Studio licence with a professional collection of plugins and LUTs.

  • Mac Studio: Processing power to handle your raw rushes and deliver a master.

  • Stockage RAID 12TB: To keep your data secure

  • ASUS ProArt PA329CV monitor: Calibrated with an X-Rite i1 Display Pro probe and DisplayCAL, connected to a Blackmagic UltraStudio Monitor

  • Blackmagic colour grading panel: For precise colour control

  • Fibre connection: 1Gb/s symmetric, for smooth video calls and fast media transfers.

Technical setup

My studio

Ready to collaborate ?

Let's talk about your film, the director of photography's vision, and your references!